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Rosa bonheur
Plowing in the Nivernais;the dressing of the vines
1849(Salon of 1849)
4' 4 3/4'' x 8' 6 1/4''(134 x 260cm)
RF 64
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Rosa bonheur
Ploughing in the Nivenais
mk156
1848-49
Oil on canvas
134x260cm
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Rosa bonheur
Colonel William F.Cody
mk162
1889
Oil on canvas
18x15
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Rosa bonheur
The horse market
mk178
1853
Olauf linens
244.5x506.7cm
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Rosa bonheur
the horse fair
mk247
1853 to 55,oil on canvas,96x200 in,245x507 cm,metropolitan museum of art, new york,ny,usa
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Rosa bonheur
plojning i nivernais
mk248 en av bonbeurs mest byllande malningar. den ar baserad pa bennes egna studier ocb ar ocksa insp inspiread av potter, en nederlandsk djurmalare fran 1600 talet. uppbojdbeten bos ualdidiga, arbetande djuren verkar overtraffa effektiviteten bos de man som driver pa dem.
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Rosa bonheur
buffa;o bill
mk248 ett portatt av oversts william f cody, mera kanb som sbowmannen buffalo bill. poratt gjordes efter codys besok pa bonbeurs slott under den europeiskrika turnen av bans buffalo bill s wild erst 1880. efter bonber bonbrurd deurs dod reproducades den som affiscb soom gjorde rklam for sbowens turnr 1905.
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Rosa bonheur
Ma City
mk250 In the year 1853-1855. Oil on canvas, about 244.5 x 506.7 cm. New York Metropolitan Museum of Art.
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Rosa bonheur
View of a Field
Date between 1850(1850) and 1855(1855)
Medium Oil on paper
Dimensions 16.8 X 31.3 cm (6.61 X 12.32 in)
cyf
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Rosa bonheur
Wild Boars in the Snow
Date c. 1870(1870)
Medium oil on panel
Dimensions 21 X 30.5 cm (8.3 X 12 in)
TTD
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Rosa bonheur
Weaning the Calves
1879(1879)
Medium oil on canvas
Dimensions 65.1 x 81.3 cm (25.6 x 32 in)
cjr
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Rosa bonheur
From the Marmara Sea
circa 1890(1890)
Medium oil on canvas
Dimensions 21.5 X 40.5 cm
cyf
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Rosa bonheur
Mounted Indians Carrying Spears
1890(1890)
Medium oil on cardboard
Dimensions 13.75 X 19 in
cyf
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| Rosa bonheur
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1822-1899 Realism,French,French painter and sculptor. She received her training from her father, Raymond Bonheur (d 1849), an artist and ardent Saint-Simonian who encouraged her artistic career and independence. Precocious and talented, she began making copies in the Louvre at the age of 14 and first exhibited at the Salon in 1841. Her sympathetic portrayal of animals was influenced by prevailing trends in natural history (e.g. Etienne Geoffroy Saint-Hilaire) and her deep affinity for animals, especially horses. Bonheur's art, as part of the Realist current that emerged in the 1840s, was grounded in direct observation of nature and meticulous draughtsmanship. She kept a small menagerie, frequented slaughterhouses and dissected animals to gain anatomical knowledge. Although painting was her primary medium, she also sculpted, or modelled, studies of animals, several of which were exhibited at the Salons, including a bronze Study for a Bull and Sheep .
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